film: February 2008 Archives

I was a bit sceptical about this movie before I watched it; it's all too easy for these films to tip over into cloying mediocrity and leave you clutching at your windpipe desperately trying to yank it free from its corporeal prison and thereby loosing a tremendous life-ending spray on any hapless bystanders, assuming that is they haven't beaten you to the punch. So I was pleasantly surprised to retain some measure of a will to live at the end of Half-Nelson.

In a nutshell the film is about a free-basing, crack-addicted history teacher who is nevertheless able to inspire his pupils with his unique perspective on the subject and quirky didactic style. Which is, frankly, a pretty good starting point for a film like this. And crucially, for me at least, the director (Ryan Fleck) avoids cliché and moralising by leaving it to the viewer's imagination to decide what happens Dan Dunne (Ryan Gosling).

As is well understood from anyone having read anything about this film the central story revolves around the relationship between Dan and one of his pupils, Drey (Shareeka Epps), their respective problems and most interestingly how they each handle Drey's discovery of Mr Dunne, how shall I put it, whacked out of his mind on crack in the changing rooms after a basketball game. We're not talking about having had a a bit of a smoke and feeling a bit squiffy, he was in the throes of a fairly serious hit, on the floor trying to keep it together but not really succeeding.

As you might imagine that scene, being pivotal to the film, was very well executed and Ryan Gosling was careful to preserve the teacher/pupil relationship throughout, a feat not easy to carry out whilst maintaining any degree of believability. In fact I'd say that for most of the film this fine line was successfully trodden.

What makes this film interesting for me was the fact that what develops in the story is the relationship between the two main characters, not the characters themselves. This might seem obvious but in most films the story arc of the main protagonist is clear cut and by and large it involves some highs and some lows before tying any loose ends up in a neat little bundle. But we leave this film not knowing how either of the main characters will fair; Dan's drug addiction is still a big problem and as I suspect Drey's nascent career in crime will become.

I like film to reflect life; it's not simple, everyone isn't nice and things rarely end up well. This film is filled with moral ambiguity, what do we think about a teacher being high on coke whilst teaching our kids? What do we think about a teacher forming a strong bond with one of his pupils? (another good thing about this film is that the relationship never comes across as inappropriate). And Dan does some things that few of us would be proud of. But as he says to Drey, "Just because you know this one thing ... one thing doesn't make a man". And that sums it up, we're all good and bad and when we find good friends we should keep them.

How wonderful to come out of a film feeling happy!  After last week’s viewing of ‘No Country for Old Men’ this is indeed a different feeling.  I can go to bed with a feeling of contentment, a pleasant evening spent laughing; an element of hope.  I won’t have to wake up tomorrow feeling like I’ve come out of a strangely disturbing dream; I won’t have images of spurting carotid arteries popping into my mind throughout the day; nor will I be wondering whether or not the next stranger I have to interact with is a psychopathic killer (incidentally I can’t believe this actor, Javier Bardem, is going to play the main romantic hero in ‘Love in the Times of Cholera’, one of my favourite novels, how am I going to make the switch? Such an inconsiderate choice.)  I must have spent three days chewing over the plot, the images, the feelings.  As much as I left the film feeling miserable, it did allow much thought and discussion.  ‘Definitely Maybe’, did definitely not provide such musings, but I don’t care; it was just what I wanted.  The joy of the rom com: I can see it, enjoy it and forget it!  

‘Definitely Maybe’ was a little quirky in its structure, the interesting framework of a father explaining his pre-marital relationships to his ten year-old daughter, Maya (Abigail Breslin from the delightful ‘Little Miss Sunshine’) provided humourous interjections as we are aligned with her in trying to guess who the mother is. Admittedly he does end up telling his daughter some pretty weird stuff (such as her mother’s lesbian affair) which makes you question his parental role… still New York children are pretty mature these days.   Cleverly timed, the Clinton presidential campaign provides an interesting early context with the Lewinsky affair mirroring the main character’s disillusionment with politics and life. 

 The film is charming but ultimately forgettable.  It doesn’t really try to be realistic: it doesn’t dwell on the pain of divorce or separation, and the way stunningly beautiful, amusing and clever women seem incredibly easy to come by may well infuriate single men.  More appealingly to us thirty-somethings, the characters don’t seem to age from 24 to 33.  The main message seems more to be you just end up with the right person at the right time without it being very much in your control.  This film is one for an enjoyable night out; the silver screen can lure you into its world and leave you with a happy sigh and a pleasant sleep, maybe.